a working painting studio

makemarks.

A working painting studio and online school — oil, watercolor, gouache, and the patient craft of putting paint where it belongs.

photo · Yaroslav Shuraev
Woman artist painting a blue ocean scene on a skateboard in a cozy art studio.Artist's hand selecting a paint tube from a wooden organizer with various acrylic colors.
● open studio · thursdays 6–9
01

How the studio works

Three steps. No talent required — only patience.

/ 01

Stretch

Every painting starts with a good ground. Linen or cotton, sized and primed until it's ready to take a mark.

/ 02

Mix

Pigment into medium, until the color is what the eye actually sees. We teach you to read it, not guess it.

/ 03

Paint

Put the paint where it belongs. Then do it again, slower. That's the whole craft.

02

The materials

What we paint with, and why.

Oil paint

Ground in linseed, layered slow, and left to glow for a hundred years.

Watercolor

Water and pigment, and the art of following where the wet goes.

Acrylic

Fast, fearless, and forgiving of nothing but the timid.

Gouache

Matte and opaque, the flat velvet finish illustrators swear by.

Stretched canvas

Linen and cotton, sized and primed in the studio, never bought pre-stretched.

Single-pigment color

Eighty-six pigments, ground and milled so the mixes stay clean.

03

The studio wall

Shot where the paint actually happens.

Close-up of a colorful artist's palette with various paint blobs and textures.
Oil palette, still wetphoto · Huy Nguyễn
Various paintbrushes on a blue surface, perfect for art or DIY projects.
Brushes, dried and keptphoto · Wallace Chuck
Vibrant watercolor paints and brushes artistically arranged, showcasing creativity and color variety.
Watercolor, wet into wetphoto · Boris Hamer
A dynamic abstract painting in purple hues with textured brushstrokes.
Canvas, sized and primedphoto · Steve A Johnson
Artist's hand painting canvas in studio with brush and palette.
A hand at the easelphoto · Alexander Mass
Artist's hand selecting a paint tube from a wooden organizer with various acrylic colors.
Pigment, weighed and jarredphoto · Thirdman
04

The slow pass

One stroke, one frame at a time.

alla prima · filmed in the studio
05

Four paintings

The wall decides the story.

Oil Painting
oil

Still life, ochre

A bowl, a cloth, and the long afternoon light.

oil · 18×24
Watercolor Art
watercolor

Wash and sea

Watercolor that remembered to let the water win.

wc · 11×15
Charcoal Drawing
drawing

Charcoal study

A figure, before the paint covers it.

charcoal · 14×17
Abstract Painting
acrylic

Field, abstracted

What a field looks like when you squint.

acrylic · 30×40
Artist Portrait Easel
At the easel, before the light went.
From the desk of Elena Vasquez

Most people think painting is talent. It's mostly showing up to the room.

I started canvas in a garage with two easels and a question I couldn't answer: why does a room where marks get made feel so good? The answer, it turns out, is the room itself.

Paint doesn't care how good you are. It sits there, wet and patient, until you come back to it. Talent is just the thing people call it after you've come back a few thousand times.

So here's the invitation: come to the studio. Make a bad mark. Make another. That's the whole school.

Elena VasquezFounder, CANVAS
06

By the numbers

Live, from our backend.

2,140
paintings made
18.4k
students
86
pigments in stock
310k
studio hours
07

Loved by painters

People who finally made the mark.

★★★★★

"I've tried every online art class. Canvas is the only one that feels like a room, not a video."

June P.Sunday painter
★★★★★

"The critique nights changed how I see my own work. I went in defending it, came out fixing it."

Marcus T.Oil, three years
★★★★★

"I hadn't touched paint in twenty years. The open studio got me back. Now my kitchen smells like turpentine again."

Sofia A.Returning painter
08

The roadmap

Where the studio is going.

Q3 2026

The online school opens — oil, watercolor, gouache, and critique nights, live.

Q4 2026

A public gallery of student work, hung by the community, not the staff.

Q1 2027

Pigment kits by mail — a box of color that ships with the lesson.

Q2 2027

A residency program for working painters, funded by the patrons.

09

Questions, answered.

Do I need any experience to start?+
No. The studio meets you where you are. If you can hold a brush, you can start. If you can't, we'll hand you one.
What materials do I need?+
The first lesson lists them — and we sell single-pigment kits at cost. You can also just show up on Thursday and use ours.
Is it all online?+
The school is online, but the open studio is real — every Thursday night, in person, free.
How long does a painting take?+
Anywhere from an afternoon to a decade. Oil is slow; acrylic is fast. The studio teaches both speeds.
Do you sell paintings?+
Yes — the gallery is a live wall of current work, and we take a small number of commissions each year.
Is it free?+
Open studio and the first lessons are free. The school, critiques, and workshops are paid — and patrons help keep the free parts free.

The studio is already open.

make marks.

You're in — we'll email you before open studio.